Hyper in form, function, and expressive language, Hyperbutt presents itself as a butt no matter where you look at it; this characteristic makes it eternally manifest, therefore sincere and always true.
At first glance seductive and ironic, this geometry unambiguously evokes a bodily iconography - a butt - that offers itself to the gaze with absolute frontality, from all sides. It is not a reference, but an essence: Hyperbutt does not represent a butt, it is a butt. A primitive and irreducible geometry capable of lending itself to innumerable functions, this archetypal form can be declined into multiple functions, as a “footstool,” “lamp,” “cake,” or “digital sculpture,” affirming its protean and post-identitary nature.

Hyperbutt goes beyond irony or formal symbolism: it invites reflection on the relativity of perception. Everything that surrounds us - the space we permeate, the objects that pass through our daily lives, the people we meet - is constantly subject to the change of our perspective, whether physical (where we are) or emotional (how we feel). Indeed, perception is never objective: it is conditioned by the gaze, by time, by experience. In this unstable horizon, Hyperbutt stands out for its structural truth: it always appears for what it is, regardless of the angle or state of mind from which it is observed.
This radical consistency makes him almost human: like a person who always chooses to show himself without masks, with his original and sincere self, even in the most changeable contexts.

Hyperbutt is a hymn to paradox: concrete yet fluid, ironic yet profound, corporeal yet abstract. A manifest object, looking at us as we look at it. Hyperbutt exists to remind us that while always remaining true to who we are we can become anything.